It was summer of the distant 2001. On the phone, Theoni, pleased to announce that the time of Herod Atticus Odeon fall was reached: her landscaping company took over the layer of the orchestra of the ancient theater with lawn. I wish her “Also to the Parthenon”.
Jean-Francois Millet, breaking new artistic ground as rapporteur of the realism, focused the theme of the narration of rural life, the narrative of the life of French peasants of his time, and not with the eyes of a genre painting but with the look of a pioneer that combine landscape and people in one indissoluble, even organic, coherent lattice.
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From the ancient ceramic art, to the art forms of clay, the engraving, the baking and the decorative interventions of modern Korean artists and masters.
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