Has Almost Nothing to do With
Herbarium Without Plants?
Somehow, yes – herbarium without plants. Because in this the unity of site, the plant world kindly gives its place to the creative delirium of the parallel and side-by-side other worlds. But it discards the responsibility for the subsequent monologues. Discards the responsibility for the consequential interviews. Discards the responsibility for the future tributes. And kindly dedicates ‘This Land Is Nobody’s Land’ to all its fellow beings of plant and non-plant interdependencies with it, worlds.
With the well-founded belief that there are people around us who have something to say about any aspect of social life, in this section of the, their views, opinions and works are hosted through their own words.
Through the electronic streets of the Fragments section parade stray art works, which have an indelible value, opus so means the proverb that in simple words says ‘all that glitters is not gold’.
Fresh Category Posts
The poem entitled Manifesto, is entirely given here – a poem written by the outstanding Chilean poet Nicanor Parra and was published in 1963, in Número journal, Uruguay. In 1969 it was included in the poetry collection Obra Gruesa, which was released by Editorial Universitaria publishing house of Chile.
The whole poem ‘Revolving Cranks’ by Andreas Embirikos is given but is also heard in the article. The prominent’s Greek surrealist poem is included in the poetry collection entitled ‘Body of the Morning’ collection of 1945, while the sound document is contained in ‘The Embirikos reads Embirikos’ – ‘Dionysos’ 1964.
In its book ‘Upside Down’, Eduardo Galeano carries out extremely interesting unpalatural acts: he unclothes the naked, that is, the big new fruit called supranational companies that after they pollute the planet they come to clean the environment from their dirt – for a fee, of course for their efforts.
The artwork of Lucian Freud Reflection (Self-portrait,1985) contains not reflections but contrasts. Hard contrasts of a face full of harsh internal conflicts, leaving their hard painted imprint on its palpitating mask and their harsh truth in its eyes.
The use of the material, where third-party rights are not mentioned, is absolutely free. Its sharing, possibly, useful.